{"id":723,"date":"2024-01-23T14:21:44","date_gmt":"2024-01-23T17:21:44","guid":{"rendered":"https:\/\/muycritico.com.ar\/web\/?p=723"},"modified":"2026-01-18T15:32:52","modified_gmt":"2026-01-18T18:32:52","slug":"oscars-oppenheimer-con-13-nominaciones-lidera-la-lista-de-peliculas-camino-a-las-premiaciones","status":"publish","type":"post","link":"https:\/\/muycritico.com.ar\/web\/?p=723","title":{"rendered":"OSCARS: \u201cOPPENHEIMER\u201d CON 13 NOMINACIONES LIDERA LA LISTA DE PEL\u00cdCULAS CAMINO A LAS PREMIACIONES"},"content":{"rendered":"<p><strong>La aclamada biopic de Christopher Nolan sobre el padre de la bomba at\u00f3mica es la pel\u00edcula con m\u00e1s nominaciones de cara a la 96\u00aa edici\u00f3n de los premios Oscar que se entregar\u00e1n el pr\u00f3ximo 10 de marzo en Los \u00c1ngeles. Le siguen \u201cPobres criaturas\u201d y \u201cLos asesinos de la luna\u201d. Por su parte Martin Scorsese super\u00f3 en cantidad de nominaciones a Mejor direcci\u00f3n, a Steven Spielberg. Imagen: Fotogramas<\/strong><\/p>\n<p><!--more--><\/p>\n<p>N\u00f3mina completa<\/p>\n<ul>\n<li>Mejor pel\u00edcula: &#8220;American Fiction&#8221;, &#8220;Anatom\u00eda de una ca\u00edda&#8221;, &#8220;Barbie&#8221;, &#8220;Los asesinos de la luna&#8221;, &#8220;Los que se quedan&#8221;, &#8220;Maestro&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;, &#8220;Vidas pasadas&#8221;, &#8220;Zona de inter\u00e9s&#8221;.<\/li>\n<li>Mejor direcci\u00f3n: Christopher Nolan (&#8220;Oppenheimer&#8221;), Jonathan Glazer (&#8220;Zona de inter\u00e9s&#8221;), Justine Triet (&#8220;Anatom\u00eda de una ca\u00edda&#8221;), Martin Scorsese (&#8220;Los asesinos de la luna&#8221;), Yorgos Lanthimos (&#8220;Pobres criaturas&#8221;).<\/li>\n<li>Mejor actriz: Annette Bening (&#8220;Nyad&#8221;), Carey Mulligan (&#8220;Maestro&#8221;), Emma Stone (&#8220;Pobres criaturas&#8221;), Lily Gladstone (&#8220;Los asesinos de la luna&#8221;), Sandra H\u00fcller (&#8220;Anatom\u00eda de una ca\u00edda&#8221;).<\/li>\n<li>Mejor actor: Bradley Cooper (&#8220;Maestro&#8221;), Cillian Murphy (&#8220;Oppenheimer&#8221;), Colman Domingo (&#8220;Rustin&#8221;), Jeffrey Wright (&#8220;American Fiction&#8221;), Paul Giamatti (&#8220;Los que se quedan&#8221;).<\/li>\n<li>Mejor actriz de reparto: America Ferrera (&#8220;Barbie&#8221;), Danielle Brooks (&#8220;El color p\u00farpura&#8221;), Da&#8217;Vine Joy Randolph (&#8220;Los que se quedan&#8221;), Emily Blunt (&#8220;Oppenheimer&#8221;), Jodie Foster (&#8220;Nyad&#8221;).<\/li>\n<li>Mejor actor de reparto: Mark Ruffalo (&#8220;Pobres criaturas&#8221;), Robert De Niro (&#8220;Los asesinos de la luna&#8221;), Robert Downey Jr. (&#8220;Oppenheimer&#8221;), Ryan Gosling (&#8220;Barbie&#8221;), Sterling K. Brown (&#8220;American Fiction&#8221;).<\/li>\n<li>Mejor guion original: &#8220;Anatom\u00eda de una ca\u00edda&#8221;, &#8220;Los que se quedan&#8221;, &#8220;Maestro&#8221;, &#8220;Secretos de un esc\u00e1ndalo&#8221;, &#8220;Vidas pasadas&#8221;.<\/li>\n<li>Mejor guion adaptado: &#8220;American Fiction&#8221;, &#8220;Barbie&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;, &#8220;Zona de inter\u00e9s&#8221;.<\/li>\n<li>Mejor edici\u00f3n: &#8220;Anatom\u00eda de una ca\u00edda&#8221;, &#8220;Los asesinos de la luna&#8221;, &#8220;Los que se quedan&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;.<\/li>\n<li>Mejor fotograf\u00eda: &#8220;El Conde&#8221;, &#8220;Los asesinos de la luna&#8221;, &#8220;Maestro&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;.<\/li>\n<li>Mejor dise\u00f1o de producci\u00f3n: &#8220;Barbie&#8221;, &#8220;Los asesinos de la luna&#8221;, &#8220;Napole\u00f3n&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;.<\/li>\n<li>Mejor dise\u00f1o de vestuario: &#8220;Barbie&#8221;, &#8220;Los asesinos de la luna&#8221;, &#8220;Napole\u00f3n&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;.<\/li>\n<li>Mejor maquillaje y peinado: &#8220;Golda&#8221;, &#8220;La sociedad de la nieve&#8221;, Maestro&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;.<\/li>\n<li>Mejores efectos visuales: &#8220;Godzilla Minus One&#8221;, &#8220;Guardianes de la Galaxia Vol. 3&#8221;, &#8220;Misi\u00f3n: Imposible &#8211; Sentencia mortal &#8211; Parte 1&#8221;, &#8220;Napole\u00f3n&#8221;, &#8220;Resistencia&#8221;.<\/li>\n<li>Mejor sonido: &#8220;Maestro&#8221;, &#8220;Misi\u00f3n: Imposible &#8211; Sentencia mortal &#8211; Parte 1&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Resistencia&#8221;, &#8220;Zona de inter\u00e9s&#8221;.<\/li>\n<li>Mejor banda sonora original: &#8220;American Fiction&#8221;, &#8220;Indiana Jones y el dial del destino&#8221;, &#8220;Los asesinos de la luna&#8221;, &#8220;Oppenheimer&#8221;, &#8220;Pobres criaturas&#8221;.<\/li>\n<li>Mejor canci\u00f3n original: &#8220;I&#8217;m Just Ken&#8221; (&#8220;Barbie&#8221;), &#8220;It Never Went Away&#8221; (&#8220;American Symphony&#8221;), &#8220;The Fire Inside&#8221; (&#8220;Flamin&#8217; Hot&#8221;), &#8220;Wahzhazhe (A Song for My People)&#8221; (&#8220;Los asesinos de la luna&#8221;), &#8220;What Was I Made For?&#8221; (&#8220;Barbie&#8221;).<\/li>\n<li>Mejor pel\u00edcula internacional: &#8220;Io Capitano&#8221; (Italia), &#8220;La sociedad de la nieve&#8221; (Espa\u00f1a), &#8220;Perfect Days&#8221; (Jap\u00f3n), &#8220;The Teacher&#8217;s Lounge&#8221; (Alemania), &#8220;Zona de inter\u00e9s&#8221; (Reino Unido, hablada en alem\u00e1n, polaco e yiddish).<\/li>\n<li>Mejor pel\u00edcula animada: &#8220;El ni\u00f1o y la garza&#8221;, &#8220;Elementos&#8221;, &#8220;Nimona&#8221;, &#8220;Robot Dreams&#8221;, &#8220;Spider-Man: A trav\u00e9s del spider-verso&#8221;.<\/li>\n<li>Mejor documental: &#8220;20 Days in Mariupol&#8221;, &#8220;Bobi Wine: The People&#8217;s President&#8221;, &#8220;Four Daughters&#8221;, &#8220;The Eternal Memory&#8221;, &#8220;To Kill a Tiger&#8221;.<\/li>\n<li>Mejor cortometraje: &#8220;Invincible&#8221;, &#8220;Night of Fortune&#8221;, &#8220;Red, White and Blue&#8221;, &#8220;The After&#8221;, &#8220;The Wonderful Story of Henry Sugar&#8221;.<\/li>\n<li>Mejor cortometraje animado: &#8220;Letter to a Pig&#8221;, &#8220;Ninety-Five Senses&#8221;, &#8220;Our Uniform&#8221;, &#8220;Pachyderme&#8221;, &#8220;War is Over! Inspired by the Music of John &amp; Yoko&#8221;.<\/li>\n<li>Mejor cortometraje documental: &#8220;Island in Between&#8221;, &#8220;Nai Nai &amp; Wai Po&#8221;, &#8220;The ABCs of Book Banning&#8221;, &#8220;The Barber of Little Rock&#8221;, &#8220;The Last Repair Shop&#8221;.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>La aclamada biopic de Christopher Nolan sobre el padre de la bomba at\u00f3mica es la pel\u00edcula con m\u00e1s nominaciones de cara a la 96\u00aa edici\u00f3n de los premios Oscar que se entregar\u00e1n el pr\u00f3ximo 10 de marzo en Los \u00c1ngeles. Le siguen \u201cPobres criaturas\u201d y \u201cLos asesinos de la luna\u201d. Por su parte Martin Scorsese [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":724,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[872],"class_list":["post-723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-victor-sacca"],"_links":{"self":[{"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/posts\/723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=723"}],"version-history":[{"count":1,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/posts\/723\/revisions"}],"predecessor-version":[{"id":725,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/posts\/723\/revisions\/725"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=\/wp\/v2\/media\/724"}],"wp:attachment":[{"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muycritico.com.ar\/web\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}